The major asset of latex molds is their ability to produce
candles in a huge variety of shapes and a great precision in the details.
This is something a metal or polycarbonate mold just can't offer.
And what makes them really attractive is that they're easy to make yourself
with very limited supplies, available in almost any Do-It-Yourself
superstore!

A latex mold allows for an endless variety of shapes and complex details

To give you an idea, the selected object must have a shape that is more or
less "block-like". But if you don't intend to actually light up the candles
you will cast in the mold you're about to make, then you're totally free in
your choice.
Another point is that the object may not have any open part (for example, a
character with the hands on his hips, because of the open space between the
arms and the torso). Obviously, in such a case, it would prove impossible to
separate the finished mold from the model. However, if there's only a very
small open space, you can always fill it with some play dough or mold sealer
Try and avoid items that have been painted, unless they've also been
varnished. I once tried to cast a latex mold from a small polyresin
gargoyle; when it was time to remove the mold from the gargoyles, a large
part of the stone-colored paint of the gargoyle stayed stuck against the
latex: gargoyle beyond repair, mold ruined...
For this project, I chose a Marsupilami-shaped salt shaker, ideal because
the "body" of the salt shaker has the exact same shape of a small pillar
candle. The resulting candle would burn quite well!

Liquid latex must always be used in a well ventilated
room
Make sure that you work in a well ventilated room: liquid
latex contains in average 40 to 50% ammonia (to help keep the latex in a
liquid state in the bottle). And ammonia is not the most pleasant product to
work with and is far from healthy to breathe. Always try, even in a well
ventilated room, to keep mouth and nose below the level of your paintbrush
and do not inhale the emanations (be assured, after 5 minutes with your nose
above the bottle of latex, you will see Marsupilami's everywhere around
you!)
Shake the bottle thoroughly before you start, otherwise
the latex on top of the bottle (where you dip your paintbrush) will be way
too liquid to be correctly and efficiently applied. Don't forget to close
the bottle when you're done with a layer.
Every brand of latex is different, follow the instructions
of the manufacturer: how to work with the latex, minimum number of layers
and cleaning of the paintbrush can vary from brand to brand.

Apply the first layer uniformly, making sure you
create a 'lip' for the future mold
Apply the first layer uniformly on the entire model. You will notice that
the latex holds better on some parts of the model than on others. In this
example, I have had to insist a lot on the ears and nose of the Marsupilami
because gravity made the latex flow downwards. Do not hesitate to add more
latex on these delicate places and don't forget to regularly shake the
bottle to make the latex thicker. But don't exaggerate: if you shake too
hard, you will create air bubbles in the liquid latex. These bubbles may not
end up on the mold!
It is important to create some kind of "lip" of at least 5
mm at the base of the model, or in other words on the waxed paper. This lip
is necessary for 2 reasons: strengthen the opening of the mold, and allow
the mold to be hanged on a cardboard plate (see the article about latex and
rubber molds). The lip will also help unmold the finished candles. On
picture 4, the bright white lip is clearly visible at the base of the model.

Let the previous layer dry completely before you apply
the next one
"Fresh" latex is milky white and turns yellow as it dries. Always wait until
every white spot disappears before you go on to the next layer. Some places
where more latex concentrate, like the lip, need more time to dry than
others.
Your mold will need between 10 and 15 layers (here again, some sources
mention 20 layers) to be thick and strong enough to bear the heat of the
paraffin you'll pour into it. Picture 4 shows the mold after the sixth layer
of latex has been applied.

Remove the mold from the model by rolling it onto itself like a glove
Put a little dish washing liquid on your fingers and rub the whole surface
of the mold: this will prevent it from sticking to itself when you will
unmold the model.
As illustrated on picture 5, gently pull the lip upwards and remove the mold
from the model like you would remove a glove (therefore, latex molds are
commonly called "glove molds"): it will end up inside out.

The finished latex mold
Do not think it will last forever: you should be able to cast an average of
fifteen candles with one same mold before it starts to break up... then
you'll have the pleasure to make a brand new one :)
NEVER add stearine to the paraffin for use in a latex mold. Don't forget
that stearine is an acid and that it would eat up the latex without mercy.
To further extend the life of your latex molds, store it in a dark place
and, before you unmold a candle, always coat the mold with a some dish
washing liquid.
Author: Chris, Owner of HowtomakeCandles.info
. Check out his website with loads of informational resources for candle
makers, and show your support!
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